
Ford Otosan
A corporate film documenting the construction process of the factory of the future.
View projectProject detail in EnglishJersey is a compact market with a globally connected finance, trust, legal and professional-services economy alongside hospitality, tourism, premium property and local SMEs. Strong local intent means visibility and trust can matter more than raw traffic volume.
We connect pre-production, filming, direction, editing, motion and multi-format delivery so the work can respond to high-value demand across St Helier, St Brelade, St Peter without repeating the same local message.
Ali TarhanFounded in 2005 · Strategy, design and digital productionAbout us
Treatment, shot logic, interview questions, location needs, schedules, talent, styling and format priorities are resolved before filming. This creates a realistic production day and reduces the amount of expensive guesswork left to post-production.
We plan for 16:9, 9:16, 1:1 and cutdowns at storyboard level where they are genuinely required. Framing and action need to support those formats; simply cropping a wide master later is not always good enough.
Physical production requirements vary by city and location. Where permits, studio booking, local crew or venue coordination are needed, those responsibilities are defined clearly rather than implied inside a generic creative fee.
The projects below link to published work and its stated scope. They help you assess creative and implementation quality; campaign budgets, conversion rates and ranking improvements are not implied by these examples.

A corporate film documenting the construction process of the factory of the future.
View projectProject detail in English

Logo · Brand Identity · Website · Promotional Film
View projectProject detail in EnglishA useful proposal identifies the deliverables, languages, revision stages, approval owners, schedule and usage rights. Production, media, licences and third-party costs are itemised separately, and changes to the agreed scope are approved before additional work.
Tell us what the business needs to change, which audience and market matter, what already exists, and who will approve the work. A launch date and an indicative budget help us propose a realistic scope.
The project scope is built around the problem, not around a pre-filled package. The following capabilities can be combined where they are genuinely required.
Narrative idea, structure, visual references, voice/copy and intended final outputs defined before production.
Shot list, schedule, crew, equipment, locations, talent, wardrobe, props, art direction and approval requirements.
Where filming permissions apply, responsibilities are coordinated with the client and an appropriate Jersey-licensed production company.
Commercial, corporate, hospitality, real-estate, interview, event and social-first capture according to the approved plan.
Editing, colour, sound, subtitles, motion graphics, music and review rounds defined by deliverable.
Master film plus agreed horizontal, vertical, square, short cut-down or platform-specific versions.
A full video-production project scope is appropriate when the story, location, contributors, visual language and outputs must be designed together. It is especially useful when one shoot needs to create a hero film plus social, recruitment, sales or campaign assets.
If the requirement is only editing existing footage, animation or a small recurring Reels package, a narrower production project scope can be defined without turning it into a full shoot.
Commercials and branded films that need one creative idea carried through production.
Corporate, industrial, hospitality or real-estate stories requiring polished interviews and location coverage.
Recurring social-video shoots where batch planning can create multiple usable edits from one production day.
Unpermitted filming or requests to bypass location, visa or production requirements are not part of a professional project scope.
There is no useful single price without a defined project scope. The commercial proposal should show which decisions, outputs, production responsibilities and third-party costs are included so different suppliers can be compared on the same basis.
Can the audience understand the intended message without relying on a long explanation?
Does the crew, location and equipment level match the idea instead of overproducing or under-resourcing it?
Can the master footage produce the required hero film, cut-downs and vertical assets without losing coherence?
Are rights, subtitles, aspect ratios, file specifications and approvals complete before the content is handed to media teams?
Jersey is a compact market with a globally connected finance, trust, legal and professional-services economy alongside hospitality, tourism, premium property and local SMEs. Strong local intent means visibility and trust can matter more than raw traffic volume.
Jersey is a compact market with a globally connected finance, trust, legal and professional-services economy alongside hospitality, tourism, premium property and local SMEs. Strong local intent means visibility and trust can matter more than raw traffic volume.
Ali Tarhan Digital Atelier works internationally and does not claim a physical office in Jersey. Strategy and digital delivery can be led remotely; local filming, printing, venue access or regulated-market responsibilities are project scoped separately when required.
finance, trust, legal, professional services, retail and island-wide B2B
hospitality, premium property, tourism, lifestyle and local services
aviation-linked business, property, services and island commerce
hospitality, restaurants, tourism, property and local premium services
Corporate films, brand films, interviews, campaign content, product video, social short-form and other commercial formats can be project scoped according to the story and distribution plan.
Yes, if planned that way. Shot lists, framing and interview structure need to account for both long-form and vertical cutdowns before the shoot.
We work internationally and do not claim a Jersey office. Where a project requires local crew, studio, permits or location support, those items are project scoped through appropriate suppliers or client-appointed partners.
The proposal defines review stages for rough cut, fine cut, graphics, subtitles and final masters so the revision process is predictable.
Yes. Subtitle, caption and localisation requirements are defined before final mastering, with approved translations supplied or sourced as agreed.
Cost depends on pre-production, shoot days, crew, equipment, locations, talent, travel, post-production, motion, music, rights and the number of final outputs.
Our team works from Istanbul. For projects in Jersey, we agree the working language, decision makers, review times and delivery formats at the briefing stage. Shooting, printing, permits, media booking and other local services are scoped separately with responsibilities agreed before commitment.
The price follows the approved scope; media spend and external production are separate.
Tell us what the business needs to change, which audience and market matter, what already exists, and who will approve the work. A launch date and an indicative budget help us propose a realistic scope.
Your contact details are used to respond to your enquiry and discuss the project.